Friday, May 7, 2010

A Marvelous May for Bernstein!

Seattle Celebrates Bernstein May offerings include symphony programs, choral performances, film screenings, musical theater, and a visit from Jamie Bernstein

SEATTLE, WA –The city-wide Seattle Celebrates Bernstein Arts Festival continues throughout May with six of the region’s diverse arts groups producing works written and inspired by the legendary composer/conductor. The Festival focuses on the multi-faceted genius of Leonard Bernstein – composer, writer, conductor, thinker, media personality, and educator—in events that spotlight this uniquely American artist’s legacy as well as showcase the wealth and wonder of Seattle’s world class arts scene.

Four local musical groups present a diverse selection of Bernstein’s work. On Saturday May 8 and Tuesday May 11, the Seattle Symphony pairs up with Cascade Youth Symphony Orchestra to present A Tribute to Leonard Bernstein’s Young People’s Concerts. Inspired by Bernstein’s influential television specials, this special program brings together conductor Gerard Schwarz with musicians from both symphonies in a special event for families and secondary school students. On Saturday May 8, The Puget Sound Symphony Orchestra will present Symphonic Dances from West Side Story as part of their Spring Concert. And on Sunday May 16 at theFirst Presbyterian Church of Bellevue, Master Chorus Eastside presents Cathedral Glory, an afternoon of choral music that includes Bernstein’s Chichester Psalms.

The Seattle International Film Festival presents a trilogy of Bernstein’s work for film, including the 1949 film version of his madcap musical On The Town starring Gene Kelly and Frank Sinatra (May 23); the Marlon Brando drama On The Waterfront, featuring Bernstein’s only original film score (May 30), and the composer’s masterpiece West Side Story, which swept the 1962 Academy Awards to take 10 Oscars (June 6). The showing of On The Waterfront will include a special question-and-answer session with the composer’s daughter Jamie Bernstein.

Then beginning its run on May 25, The 5th Avenue Theatre presents Bernstein’s mid-career masterwork Candide. The comic and dramatic adventures of a young man as he travels the world in search of his one true love, Candide is inspired by Voltaire’s wickedly satirical novel. This musical masterpiece includes some of the greatest music ever written (with brilliantly witty lyrics by Stephen Sondheim, John Latouche, Dorothy Parker, Lillian Hellman, Richard Wilbur and Leonard Bernstein himself). Ms. Bernstein will also be participating in Show Talks prior to the performance of Candide on May 29th and May 30.

To check for ongoing updates, along with a current calendar, ticketing information and a biography of Bernstein, visit seattlecelebratesbernstein.org.

Thanks to our sponsors Encore Arts Programs, City Arts Magazine, Boeing, US Bank, Seattle Convention and Visitors Bureau and KUOW 94.9 Public Radio.

Candide Cast a Class-Act Collection!

5th Avenue favorites, out-of-town guests featured in Bernstein’s masterpiece

SEATTLE – The 5th Avenue Theatre has announced the cast for our upcoming production of Leonard Bernstein’s Candide, directed by the 5th’s Executive Producer and Artistic Director David Armstrong. Starring in the title role is New York actor Stanley Bahorek, who’s performed in the national tour of Big River and on Broadway in The 25th Annual Putnam County Spelling Bee. Playing his love Cunegonde is L.A.’s Laura Griffith, whose Broadway credits include South Pacific and The Light on the Piazza, as well as several appearances on the stage of The 5th, most recently in Seven Brides for Seven Brothers. Playing the dual roles of Voltaire and Candide’s overly-optimistic mentor Dr. Pangloss is acclaimed Seattle actor David Pichette, familiar to local audiences from work on practically every stage in town including The 5th Avenue, where he was last seen as Professor Henry Higgins in My Fair Lady. And popular Seattle actress Anne Allgood, last seen on The 5th’s stage in Sunday in the Park with George as the Nurse and the American Lady, appears as the Old Woman.

Other 5th Avenue Theatre favorites in the cast include: Allen Fitzpatrick (Martin), Brandon O’Neill (Cacambo), Mike McGowan (Maximilian), Timothy McCuen Piggee (King of El Dorado), and two actors fresh from our production of On The Town: Greg McCormick Allen (Ensemble) and Billie Wildrick (Paquette).

Playing the denizens of two continents are: Jeffrey Alewine, Jadd Davis, Mary Jo DuGaw, Anne Eisendrath, Cayman Ilika, Eric Polani Jensen, Corinna Lapid Munter, Karen Skrinde, and Dane Stokinger. Interns are Dana Blasingame, Emily Cawley, Sean Glynn, Arwen Morgan, Sage Michael Price, and Lauren Smith.

The comic and dramatic adventures of a young man as he travels the world in search of his one true love, Candide is inspired by Voltaire’s wickedly satirical novel. This musical masterpiece includes some of the greatest music ever written, with brilliantly witty lyrics by Richard Wilbur and additional lyrics by Stephen Sondheim, John LaTouche, Dorothy Parker, Lillian Hellman, and Leonard Bernstein himself. Candide is a cornerstone of the Seattle Celebrates Bernstein festival.

Candide the musical was originally written by Bernstein with the book by playwright Lillian Hellman, but its original production in 1956 was not successful, and it wasn’t until Hal Prince’s 1973 production with a new book by Hugh Wheeler that it finally found critical and box-office success. Since that time it has enjoyed numerous revivals in different forms, including an “opera house version” that premiered in 1982. The version that Armstrong has chosen for The 5th Avenue was commissioned by John Caird (co-creator of Les Miserables) for London’s Royal National Theatre in 1999. “The result is a full two-act evening that I think is the best version of the show by far,” says Armstrong. “I’m thrilled that we’re going to do this new rendition, to my knowledge just the second time that it’s been done in the U.S. This is part of our mission, to introduce Seattle audiences to ‘the greatest shows you’ve never seen.’”

Tickets for Candide as well as season subscriptions to The 5th Avenue’s 2010-2011 Season are available by calling 206-625-1900/toll-free 888-5TH-4TIX (584-4849), at our website 5thavenue.org, and in person at the box office at 1308 5th Avenue, Seattle, WA 98101.

Monday, May 3, 2010

Taproot hosts special afternoon tea event for May 22 performance of Charley’s Aunt

CORSETS AND COMEDY INVADE TAPROOT THEATRE

SEATTLE – April 30, 2010 – Taproot Theatre Company gets a blast from the past at Corsets and Comedy, a special afternoon tea event where costumes are encouraged! On May 22, Taproot Theatre hosts a pre-show tea with special guest Sarah Burch Gordon, who will talk about costuming for the stage. Gordon has designed costumes for over 50 productions across the country. A matinee performance of Charley’s Aunt follows. Costumes are encouraged—especially Victorian, Edwardian and Titanic eras. Tea will be served at 12:45 p.m. at Taproot Theatre; the performance begins at 2 p.m. The tea is hosted with Somewhere in Time, Unlimited.

Seating for the tea is limited, and seating must be reserved in advance by calling Taproot Theatre’s box office at (206) 781-9707. Tickets are just $27-29 for the performance, plus $5 for the tea. Charley’s Aunt, by Brandon Thomas, follows two college chums who try to arrange a date with their sweethearts. All sorts of mischief and shenanigans ensue when their aunt (and chaperone) doesn’t appear. Their romantic afternoon luncheon hinges on a third classmate’s willingness—and ability—to impersonate her. This hilarious classic has been delighting audiences for over 100 years. Charley's Aunt runs May 12-June 12.

Gbenga Akinnagbe Starring at INTIMAN

Gbenga Akinnagbe (The Wire) Stars at Intiman Theatre in The Thin Place, a World-Premiere ‘Play with One Actor’ Written by Seattle Playwright Sonya Schneider and Conceived and Directed by Andrew Russell

Based on Marcie Sillman’s interviews with more than a dozen Seattleites, the play brings together a creative team that includes designers Etta Lilienthal, Ben Zamora
and Matt Starritt, and movement and choreography consultant Donald Byrd

Performances: May 14-June 13 at Intiman Theatre, Seattle Center

Press Night: Friday, May 21 at 8 pm

SEATTLE— Intiman Theatre continues its 2010 Season with The Thin Place, a commissioned world premiere written by Sonya Schneider and conceived and directed by Intiman Associate Producer Andrew Russell. The ‘play with one actor’ stars Gbenga Akinnagbe, a star of HBO’s The Wire, as Isaac, a young man struggling to make sense of his shattered faith, and the 10 people (all based on real Seattleites) that he encounters on his journey. Performances will begin at Intiman Theatre, 201 Mercer Street at Seattle Center , on Friday, May 14 and continue through Sunday, June 13. The opening night performance is Friday, May 21 at 8 pm. Please see the Fact Sheet at the end of this release for the schedule.

Tickets are available from www.intiman.org or 206.269.1900. Single ticket prices range from $25 to $50 for Wednesday-Sunday performances. All adult tickets on Tuesday nights are $25. Discounts are available for groups and members of the military, and patrons age 25 and under can purchase tickets to any performance for $10. Pending availability, patrons can purchase pay-what-you-can, standing room, standby and rush tickets for every production. The pay-what-you-can performance for The Thin Placeis Wednesday, May 19 at 7:30 pm. Tickets will go on sale that day at noon and may now be purchased over the phone as well as in person; patrons can pay by credit card with a $10 minimum per ticket.

Gbenga Akinnagbe, a Nigerian-American actor, is best known for his role as street assassin “Chris Partlow” on the critically acclaimed HBO series The Wire. An accomplished stage actor, he began his theatre career nine years ago in Oedipus at the Shakespeare Theatre in Washington , DC . He was seen in The Public Theater’s production of Henry V at the Delacorte Theater and works frequently with LAByrinth Theater Company, founded by Philip Seymour Hoffman and John Ortiz. His work with the group stemmed from his collaboration with Hoffman and Laura Linney in the Oscar-nominated independent feature The Savages, which was his debut film. An avid world-traveler, he became a freelance writer for the New York Times in 2009 after the newspaper published his first article on his trip through the Himalayas .


The Thin Place from Idea to Stage

The Thin Place was inspired by Dan Savage’s podcast “Return to the Scene of the Crime,” which was broadcast on This American Life in May 2009. In the episode, Savage talks about his complex relationship to the Catholicism of his youth and how, after the death of his mother, he found himself unexpectedly drawn back to the faith he had rejected. Listening to the podcast, incoming Artistic Director Kate Whoriskey and her associate Andrew Russell, who joined Intiman’s staff as Associate Producer this season, were inspired to create a new piece about religion. They decided to make the story both in and of Seattle , as a way to get to know their new home city and as an opportunity to look deeply at responses to God in a city that in some ways claims to be without religion.

In the fall of 2009, Intiman commissioned KUOW radio journalist Marcie Sillman to interview more than a dozen people about points of crisis in their lives and how they came to question, confront and ultimately embrace their faith. Among the people who shared their stories are a Cambodian-born confinement survivor; a former Episcopal priest defrocked for having converted to Islam; a survivor of the shooting at the Jewish Federation; a Native American woman who returned to her tribe after a childhood in which she often “passed” as white; a committed atheist who grew up feeling like an outsider in his country and his church; a Buddhist who traveled to Thailand to become a monk; and a gay political activist who grew up in South Africa during apartheid and now believes equally in spiritual and social justice.

Midway through the interviews, Sonya Schneider joined the creative team, bringing a playwright’s perspective to the story-gathering process. She then transformed the stories into a theatrical narrative focused around a single person—Isaac, the son of a Pentecostal minister. Doubting his father, his faith and his community and suffering from mysterious episodes, Isaac sets out on a journey to find faith—or accept God’s absence. The strangers he encounters in unexpected places (characters crafted from the interviews) become his guides, with Akinnagbe portraying all the roles under Russell’s direction.

The Thin Place is the 15th play to have its world premiere at Intiman since it was founded as “ Seattle ’s Classic Theatre” in 1972 and only the third by a local playwright, following R.N. Sandburg’s adaptation of Frankenstein in 1989 and Catherine by Louisa Rose in 1992.


“Spirited Discussions” and Other Opportuntities for Interactive Dialogue

A new website, www.thethinplace.com, has been launched to provide behind-the-scenes access to the project, including blog postings from Gbenga Akinnagbe and other members of the creative team. In addition, members of the public are invited to share their own stories of wrestling with faith, doubt and belief.

Ten Seattle artists (photographers, sculptors and painters) attended a reading of The Thin Place at the first rehearsal. Over the next four weeks, they will be creating a response to the play and its ideas in their own mediums; selected artwork will be exhibited in the Intiman lobby on opening night and during the run of the production.

Intiman will host facilitated post-play conversations called “A Spirited Discussion” following every performance of The Thin Place after opening night. The bar will stay open during the discussions; the drink specials for this production are the Shaken Rainier and The Sound, inspired by the local elements of the play and featuring locally made Dry Soda as mixers.


Art & Audience Events

Date Night for Parents • Saturday, June 5 | 6 pm Reception | 8 pm Performance

Intiman, Kids Co. and Seattle Children’s Theatre combine forces to provide the entire family with a night out. Accredited by the National After School Association, Kids Co. is conveniently located at John Hay Elementary School in Upper Queen Anne. For pricing and additional information, patrons should contact Kathleen Maki atkathleenm@intiman.org or 206.204.3325.

Wine Wednesday • Wednesday, June 9 | 6:30 pm Reception | $10 add-on fee

The popular wine-tasting series returns for the second year, presented by Maryhill Winery with catered hors d’oeuvres from Ten Mercer.

’Round Six Happy Hour • Friday, June 11 | 6 pm Reception | Free with Ticket

Intiman hosts a free ‘happy hour’ with complimentary hors d’oeuvres, drinks from Hale’s Ales and live music.

Sign-Interpreted Performance • Saturday, June 12 at 8 pm

Coordinated by Paul Bert with reserved seating for the Deaf and hearing-impaired community.

ACT Kicks-Off 2010-2011 Season!

The Trip to Bountiful

By Horton Foote

Directed by Victor Pappas

May 7- June 6, 2010

Tickets/Times

Students/people 25 and under: $10/$15

Adults: prices start at $37.50

Pay-What-You-Will: May 9 at 7:30 p.m, May 20 at 2:00 p.m.

Basic Membership: included as part of the Monthly Membership

Tues-Thurs & Sun 7:30 p.m.; Fri & Sat 8:00 p.m.; Sat & Sun 2:00 p.m.

ACT Theatre

Ticket Office: (206) 292-7676

Group Sales (12 or more): (253) 839-4204

700 Union Street, Seattle WA 98101

www.acttheatre.org

Seattle, WA – April 22, 2010 – ACT is proud to launch its 2010 Mainstage series with the enduring American classic, The Trip to Bountiful by Pulitzer Prize winning author Horton Foote, May 7-June 6, 2010.

Initially released as a television play in 1953, and later adapted into an Academy Award winning film in 1985, The Trip to Bountiful now makes its Seattle premiereat ACT in the Allen arena stage, directed by the renowned Victor Pappas.

An unforgettable meditation on the idea of home and its power to sustain us, The Trip to Bountiful follows the elderly Carrie Watts (Marianne Owen) as she dreams endlessly of visiting her childhood home one last time before it is too late. But first, before she embarks on a sentimental journey home, she must find a way to escape the suffocating confinement of an over-bearing daughter-in-law (Mary Kae Irvin) and her under-serving son (Paul Morgan Stetler). What follows is a touching and inspiring crossing through 1950s Texas as Carrie learns to connect with that place in herself that creates a sense of home, of belonging.

“Carrie sets out thinking that Bountiful is the answer, and what she discovers along the way is something I feel is one of the deepest, most important lessons we can learn: that life can only be what it is. Life can’t be what it was, can’t be what you want it to be, can’t be what it should be — it can only be what it is. And if you can accept that, you can find home wherever you are,” said Director Victor Pappas. “I’m thrilled to have had the chance to take this Trip to Bountiful with a wonderful company of actors, who are so gifted individually and so gifted together as an ensemble, and with designers who have taken the spare lyricism of Foote’s style and made it manifest visually in this fantastic space.”

The Trip to Bountiful features a talented and adept seven person cast including: Ian Bell (Houston Ticket Agent), Mary Kae Irvin (Jessie Mae Watts), Charles Leggett (Sheriff), Jessica Martin (Thelma), Marianne Owen (Carrie Watts), Paul Morgan Stetler (Ludie Watts), and Wesley Rice (Ray/2nd Ticket Agent).

Tickets for The Trip to Bountiful are on sale now through the ACT Ticket Office at 700 Union Street, via phone (206) 292-7676 or online at www.acttheatre.org.

RAWSTOCK Update

RAWSTOCK Short Film Festival Launches Season at ACT with Experimental Industry First:Synergistic Cinema

Every Day is a Journey – six directors, eight characters, infinite possibilities

RAWSTOCK Short Film Festival

featuring the premiere of Every Day is a Journey

May 19, July 14, August 18, Nov 17 and December (to be announced)

Tickets/Times

Start at $10

Included with Basic Monthly Membership

Wednesdays, 8:00 p.m.

ACT Theatre

Ticket Office: (206) 292-7676

700 Union Street, Seattle WA 98101

www.acttheatre.org

Seattle, WA – April 20, 2010 – Always pushing the boundaries of the film genre and redefining grindhouse cinema, RAWSTOCK Short Film Festival opens its sixth season at ACT with the much anticipated debut of an entirely new experiment called “synergistic cinema” designed to challenge six up and coming local filmmakers through a single film project, Every Day is a Journey.

Every Day is a Journey is a serialized story told in six, five-minute chapters written/directed by six distinct and unique local filmmakers, each using the characters and story threads introduced in the previous chapter. Similar to the old schoolyard game of story improv, where each person contributes a sentence to create an unpredictable tale, each filmed episode of Every Day is a Journey will be taken over by a new creative auteur. The initial chapter, written and directed by RAWSTOCK Co-Founders Justin Freet and William (WT) Russell, combines the worlds of small-time grifting and self-help gurus, and where it goes from there is up to each successive writer/director: Nik Perleros, Ben Rapson, Christian Palmer, Jason Reid, and Ian Connors.

While each chapter of Every Day is a Journey will advance the story set forth by the preceding writer/director, each chapter must also serve as a standalone short film, posing a secondary challenge to the creative teams.

“William Russell and I were inspired by the serials created in 2004 by Los Angeles screenwriters Dan Harmon (Heat Vision, Jack) and Rob Schrab (Monster House), and thought we should create a film version of what they initiated; an experiment we’re calling ‘synergistic cinema’,” said Freet. “The varied filmmaking styles create a one-of-a-kind cinematic experience for our fans and give each writer/director an opportunity to approach films in a new way.”

Each chapter of Every Day is a Journey will sequentially premiere at each RAWSTOCK event, starting May 19, with the final two chapters and the film shown in its entirety at the grand finale screening in December (date to be announced).

The RAWSTOCK Short Film Festival will also feature the return of RAWSTOCK favorite Mitch Magee with The Bartender, visionary animator Micheala Olsens with Fuzzy Insides, and newcomer Ben Rapson with Teething, as well as all-new visceral short films from around the world, including the Canadian grindhouse tour-de-force film Hobo with a Shotgun by Rob "Yer Dead" Cotterill.

The RAW Lounge, sponsored by Bulliet Bourbon, will open for cocktails at 7:30 p.m. Screenings begin at 8:00 p.m. An after party at Liberty Bar will follow each screening. Tickets are $10 and available at the ACT Ticket Office, 700 Union Street, Downtown Seattle, (206) 292-7676 or online at www.acttheatre.org.