Tuesday, August 10, 2010

Byrd to Fly on 5th Avenue Stage!

Tony-nominated choreographer Donald Byrd to choreograph

5th Avenue’s 2011 production of Oklahoma!

SEATTLE, WA –The director, choreographer and design team for Oklahoma!, the classic Richard Rodgers & Oscar Hammerstein musical, have been announced. Playing at The 5th Avenue from July 8 through August 6, 2011, the musical will be directed by The 5th’s Producing Director Bill Berry(On The Town, West Side Story, Cabaret), with scenic design by Walt Spangler, costumes by Alejo Vietta, lights by Tom Sturge, and sound by Zach Williamson. The show will be choreographed by Donald Byrd, the Artistic Director of Spectrum Dance Company.

From 1978 until 2002, Byrd was Artistic Director of Donald Byrd/The Group, a critically-acclaimedcontemporary dance company. He has created more than 80 works for modern dance companiesincluding Spectrum, the Ailey Company, the Dayton Contemporary Dance Company andPhiladelphia Dance Company (Philadanco). He has choreographed for classical companies such as Pacific North west Ballet, The Joffrey Ballet, Aterballetto, MaggioDanza diFirenze, and Oregon Ballet Theater. He has also worked extensively with theater and opera companies including New York Shakespeare Festival/Public Theater, La Jolla Playhouse, Intiman Theater, San Francisco Opera, Seattle Opera and New York City Opera. In 2006, he was nominated for a Tony Award for his choreography of the Broadway production of The Color Purple.

Byrd has led Spectrum Dance Company since 2002. His most recent work for the company wasFarewell: A Fantastical Contemplation on America’s Relationship with China, which premiered earlier this year at the Moore Theatre, where Spectrum Dance Theater is the resident dance company. Other notable productions include Interrupted Narratives/War and The Theater of Needless Talents, which toured nationally in 2009; The Sleeping Beauty Notebook, which toured to New York and theSpoleto Festival in Italy; Bhangra Fever, performed by Spectrum in PNB’s April 2007 Celebrate Seattle Festival, and Petruchska/Miraculous Mandarin.

“This season at Spectrum Dance Theater I have been exploring the theme of relationships, love and obsession,” says Byrd. “I was excited to be approached by The 5th Avenue Theatre to work onOklahoma! The Rogers and Hammerstein classic offers a unique perspective on these themes and provides fertile ground for fresh interpretations.”

Byrd also has a personal connection to the original choreographer of Oklahoma, Agnes de Mille. “I met Agnes de Mille when I was a student at the Harvard Summer Dance Program. She was there giving a talk and observing classes. I was speaking with her one evening after she had observed me in class earlier in the day and she said to me, ‘You, young man, should go to New York!..Go to Ballet Arts at Carnegie Hall and tell them I sent you.’ So I did. I had been on the fence about making a life of dance and could not commit to a move to New York which seemed like the next logical step if I was going to dance. But hearing that ‘command,’ and it felt like a command coming from de Mille, was the push I needed.”

While this is the first time that Byrd has worked with The 5th as a choreographer, the Spectrum company has previously collaborated with The 5th Avenue on West Side Story and most recently On The Town, both also directed by Berry. “Using the Spectrum Company in our productions brought such depth and emotional power to the dancing that I am excited to be able to continue this collaboration,” says Berry. “Working with Donald as a choreographer is exciting to me as an artist, as his work is so emotionally rich and dense it’s a natural fit for Oklahoma.”

Tickets for Oklahoma!, as well as season ticket packages to the 2010-2011 Season, are available by calling 206-625-1900/toll-free 888-5TH-4TIX (584-4849), in person at the box office located at 1308 5th Avenue in downtown Seattle, or online at 5thavenue.org.

U.S. Congressman Jim McDermott to Speak at Intiman Theatre on Sunday, August 15, Following the Final Performance of Ruined at 2 pm

Tickets for all remaining performances of the play are available now fromwww.intiman.org or 206.269.1900

SEATTLE— Intiman Theatre announces that U.S. Congressman Jim McDermott will speak and answer questions about his personal experience with and interest in African issues following the final performance of Lynn Nottage’s Ruined on Sunday, August 15 at 2 pm. This event is free for the audience and open to the public.

Tickets for all remaining performances of Ruined, which is directed by Artistic Director Kate Whoriskey , are on sale from www.intiman.org or 206.269.1900.

Congressman McDermott, whose political career began in 1970, is currently in his 11th term serving Washington State ’s 7th District in the U.S. House of Representatives. He has worked on African foreign policy issues throughout his career. Trained as a physician, he left politics in 1987 to serve as Regional Medical Officer in the U.S. Foreign Service. Based in Zaire (now the Democratic Republic of Congo), he provided psychiatric services to Foreign Service, AID, and Peace Corps personnel throughout sub-Saharan Africa . In 2004, he was part of a bipartisan coalition of U.S. Representatives who championed the passage of the African Growth and Opportunity Act. In July 2010, the U.S. Congress passed the Wall Street Reform Bill, which includes provisions first introduced by Rep. McDermott, which will hold accountable American companies that use minerals in their products from mines that help fund the war in the DRC.

Congressman McDermott’s talk is presented through Intiman’s new International Cycle and the theatre’s efforts to raise awareness—through its plays and outreach programs—about global issues. The International Cycle will be produced annually in connection with Intiman’s ongoing American Cycle. Both Cycles include events, community conversations and opportunities for Intiman to work with a range of guest speakers who help illuminate the often surprising intersections between issues in our community and around the world, and inspire dialogue and activism both globally and in Seattle . For more information about the International Cycle, go to http://www.youtube.com/intimantheatre.

USHER IN A NEW SCHOOL YEAR WITH NEW ACTING SKILLS

Fall quarter features classes for kids and teens, plus brand-new Professional Actor Conservatory for adults

SEATTLE – August 6, 2010 – As the tan fades and the summer nights get shorter, kick off a new season—and a new school year—with classes at Taproot Theatre’s Acting Studio. Featuring the popular Drama with Your Mama for toddlers and their caregivers, a number of opportunities for kids and teens, and the brand-new Professional Actor Conservatory for adults, there’s something for all ages this fall quarter.

Going Deeper with the Basics, the first class offered by Taproot’s Professional Actor Conservatory, provides adults with scene work study that will help them delve into characters and deepen their storytelling skills. Taught by Los Angeles actor and director Marianne Savell, students will learn techniques and skills from a master storyteller that will unlock new doors in their performance ability.

Fall quarter runs September 9through December 7. Registration is open now. Classes are held at Taproot Theatre (204 N 85th St.) and Timberlake Church-Ballard (1460 NW 73rd St.) in Seattle. Drama with Your Mama is taught in both Seattle and Shoreline. Registration forms and class descriptions are available online at www.taproottheatre.org, or contact Taproot’s Acting Studio at(206) 529-3668 or studio@taproottheatre.org.

ACT Creates and Produces New Annual Lecture Series Starting August 29

Seattle, WA – August 6, 2010 – Continuing its mission to serve as a cultural engine, ACT – A Contemporary Theatre announces InterACTions, a new annual forum of explorations designed to probe themes of the mind, being, and culture, featuring leading experts as guest speakers.

How does theatre raise our consciousness and the issues that confront us? Where does novelty emerge and how is society killing innovation? What is consciousness? And how are biomedicine and cybernetics contributing to the alteration, enhancement, and evolution of the human? Starting August 29, InterACTions 2010 will focus on these questions and more with Mindscapes: Art, Imagination and the Posthuman Future, led and moderated by ACT Artistic Director Kurt Beattie, with 60-minute presentations by Beattie, historian Mott Greene, neurosurgeon Dr. George Ojemann, and philosopher Paul Loeb.

“The art form of the theatre has always been a means of cultural investigation, and at ACT the annual InterACTions series is a fascinating and fun way to explore ACT’s role in creating a deeper conversation with our audiences concerning a new exploration of humanism and issues central to the rapidly changing landscape of how we live today,” said Kurt Beattie. “A lecture series of this caliber, designed to trigger audiences and the community at large to think more deeply about what they see, is a longtime dream come true for me, and I’m thrilled we can finally bring this vision to life starting in just a few short weeks!”

Mindscapes: Art, Imagination and the Posthuman Future will be comprised of the following lectures as part of the 2010 InterACTions series:

Kurt Beattie, Theatre and Consciousness

Sunday, August 29 at 4:00 p.m.

Kurt Beattie will kick off the 2010 InterACTions series, discussing theatre as a means of cultural investigation and as a catalyst to raising our consciousness to the issues we live today.

Mott Greene, The Physiology of Imagination and the Aesthetics of Stability

Sunday, September 26 at 4:00 p.m.

Join Historian Mott Greene as he investigates how it is becoming increasingly evident that the pace of fundamental novelty and imagination, at the end of the 20th century and beginning of the 21st century, is actually slowing down. He will share how an explosion of a variety of cultural products acts as a brake on the creative process and the acceptance of change within our social and technical structures – and our artistic creations.

Dr. George Ojemann, Human Brain Mechanisms for ‘Consciousness’

Sunday, October 24 at 4:00 p.m.
Neurosurgeon Dr. George Ojemann discusses what is commonly called ‘consciousness’ and how the brain responds to external stimulus and different states of awareness, and overlays it with deeply encoded memory that can influence a conscious experience.

Paul Loeb, New Values for the Posthuman Future

Sunday, November 21 at 4:00 p.m.
Philosopher Paul Loeb concludes the 2010 InterACTion series with a fascinating look at how rapid advances in science and technology are contributing to the alteration, enhancement, and evolution of the human into the posthuman. Should parents design their children? Is human cloning immoral? Is radical life extension desirable? Should humans take control of their own evolution? Should humans aim to transcend their bodies through artificial intelligence and virtual reality?

Seattle Rep casting announced, single tickets on sale Aug. 24 Seattle talent front and center

Seattle, WA: One of new Seattle Repertory Theatre Artistic Director Jerry Manning's first orders of business: "putting 'Seattle' back in Seattle Rep."

The theatre announced today casting for the upcoming 2010-2011 season. Of the 23 roles cast so far, 21 have been filled by Seattle performers, ranging from up-and-comers like Troy Fischnaller and Alexandra Tavares to long-time staples like Charles Leggett, Seán G. Griffin, Todd Jefferson Moore and Suzanne Bouchard. Additionally, five of the eight directors are local, as are many of the designers.

"Seattle has been my artistic home for the last ten years," Manning said. "I know well the talent that we have here, and it's exciting to work on the plays in this coming season—smash Broadway and Off-Broadway hits, wonderful contemporary classics—with our own home team."

The season kicks off
Oct. 1 with God of Carnage, starring Hans Altwies, Amy Thone, Denis Arndt, and Bhama Roget.

Single tickets go on sale
Aug. 24 online at www.seattlerep.org or through the Box Office at 206-443-2222 (Toll-free 1-877-900-9285). Prices start at $15 (or $12 for ages 25 and under). Season tickets are available now.




The full season's artists are as follows:

God of Carnage BAGLEY
by Yasmina Reza, directed by Wilson Milam | OCT. 1–24, 2010
Michael- Hans Altwies
Veronica- Amy Thone
Alan- Denis Arndt
Annette- Bhama Roget

Scenic Designer-
Eugene Lee
Costume Designer- Deb Trout
Lighting Designer- Geoff Korf
Sound Designer- Matt Starritt


Three Tall Women LEO K.
by Edward Albee, directed by Allison Narver | OCT. 22–NOV. 28, 2010
A- Megan Cole
B- Suzanne Bouchard
C- Alexandra Tavares
Boy- Eric Ankrim

Scenic Designer- Matthew Smucker
Costume Designer- Melanie Taylor Burgess
Lighting Designer- Allen Hahn
Sound Designer and Composer- Paul James Prendergast


Dancing at Lughnasa BAGLEY
by Brian Friel, directed by Sheila Daniels | NOV. 12–DEC. 5, 2010
Kate- Mari Nelson
Maggie- Gretchen Krich
Agnes- Linda K. Morris
Rose- Cheyenne Casebier
Chris- Elizabeth Raetz
Father Jack- Todd Jefferson Moore
Michael-
Ben Harris
Gerry- Troy Fischnaller

Scenic Designer- Etta Lilienthal
Costume Designer- TBA
Lighting Designer- LB Morse
Sound Designer and Composer- Paul James Prendergast


The K of D, an urban legend LEO K.
by Laura Schellhardt, directed by Braden Abraham | JAN. 14–FEB. 20, 2011
Girl- Renata Friedman

Scenic Designers- Braden Abraham & LB Morse
Costume Designer- Denise Damico
Lighting Designer- Robert Aguilar
Sound Designer- Matt Starritt


The Brothers Size BAGLEY
by Tarell McCraney, directed by Juliette Carrillo | FEB. 4–27, 2011
Cast and designers are TBA


Of Mice and Men BAGLEY
by John Steinbeck, directed by Jerry Manning | MAR. 18–APR. 10, 2011
Lenny- Charles Leggett
George- Troy Fischnaller
Candy- Seán G. Griffin
Curley- Seanjohn Walsh

The rest of the cast is TBA

Scenic Designer- Jennifer Zeyl
Costume Designer- Deb Trout
Lighting Designer- Robert Aguilar
Sound Designer- Robertson Witmer


This LEO K.
by Melissa James Gibson, directed by Braden Abraham | APR. 8–MAY 15, 2011
Jane- Cheyenne Casebier
Tom- Hans Altwies

The rest of the cast is TBA

Scenic and
Lighting Designer: LB Morse


The Agony and the Ecstasy of Steve Jobs BAGLEY
created and performed by Mike Daisey, directed by Jean-Michele Gregory | APR. 22–MAY 22, 2011
Designers are TBA

Tuesday, August 3, 2010

Had an Erotic Life, 1977-2010!

Life and death of iconic Seattle peepshow recounted in new play My Time with the Lady

SEATTLE, WA – The life and times of The Lusty Lady Peepshow are recounted through the eyes of a young man who worked there in My Time with the Lady, the world premiere of a new autobiographical play by Ron Richardson and John Longenbaugh.

From 1987 to 1992, Richardson worked on and off as a cashier, janitor, doorman and occasional bouncer at Seattle’s Lusty Lady peepshow. It was the dream job for a young man from Walla Wallawho received the education of a lifetime, becoming familiar with the inner workings of an adult establishment and the people who worked on its stages and behind the scenes. During those years Richardson watched the Lady change, as First Avenue evolved from a seedy waterfront district known as “Flesh Avenue” into an upscale yuppie stretch of condos, restaurants and large art institutions.

Richardson blends comedy, pathos and business analysis in a series of stories that explore the sometimes seamy but always fascinating world of The Lusty Lady, creating a portrait as brash, lively and unusual as the Lady’s infamous marquee.

Richardson has acted around the Pacific NW since earning his BA in theatre from WSU in 1992, and has appeared locally in productions at the Little Red Studio and Annex Theatre, as well as acting in independent movies and industrial videos.

The show also features Kirsten Lauzon, founder of the DANGEROUS Dance and Drag Troupe and Co-Producer/Director of Full Royal Flush, whose work as an actor, dancer and circus performer has been seen with The Cabiri and at LRS.

Co-written and directed by former Seattle Weekly Theatre Writer John Longenbaugh (Scotch and Donuts, The Man Who Was Thursday, How to be Cool, Arcana) My Time with the Lady is a valentine to a true Seattle original, a peep show where the employees worked cooperatively and a young man fell in love with not only a whole company of erotic dancers, but the place that provided their paycheck.

Who: Little Red Studio presents:

What: My Time with the Lady, a new play by Ron Richardson and John Longenbaugh.

Where: Little Red Studio, 400 Dexter Avenue N., 98109.

When: Thurs 8/19-Sat 8/21, Thu 8/26, Sat 8/28, Sun 8/29, all performances at 8 pm.

How Much: $15. Tickets for My Time with the Lady are available via brownpapertickets.com.

For more information on the show, go to mytimewiththelady.com.